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From Chapter 3: The tobacco-tongs were more properly called ember-or brand-tongs. They sometimes had a tobacco-stopper riveted in near the axis of the tongs, and thus could be easily distinguished from other kinds of tongs. An example in the Guildhall Museum, made of brass, and probably of late seventeenth-century date, has the end of one of the handles formed into a stopper. In the same collection there are several pairs of ember-tongs with handles or jaws decorated. In one or two a handle terminates in a hook, by which they could be hung up when not required for use. In that delightful book of pictures and gossip concerning old household and farming gear, and old-fashioned domestic plenishings of many kinds, called "Old West Surrey," Miss Jekyll figures two pairs of old ember-or brand-tongs. One of these quite deserves the praise which she bestows upon it. "Its lines," says Miss Jekyll, "fill one with the satisfaction caused by a thing that is exactly right, and with admiration for the art and skill of a true artist." These homely tongs are fashioned with a fine eye for symmetry, and, indeed, for beauty of design and perfect fitness for the intended purpose. The ends which were to pick up the coal are shaped like two little hands, while "the edges have slight mouldings and even a low bead enrichment. The circular flat on the side away from the projecting stopper has two tiny engraved pictures; on one side of the joint a bottle and tall wine-glass, on the other a pair of long clay pipes crossed, and a bowl of tobacco shown in section." This beautiful little implement bears the engraved name of its Surrey maker, and the date 1795.
From Chapter 6: Addison and Steele smoked, and so did Prior, who seems to have had a weakness at times for low company. After spending an evening with Oxford, Bolingbroke, Pope and Swift, it is recorded that he would go "and smoke a pipe, and drink a bottle of ale, with a common soldier and his wife, in Long Acre, before he went to bed." Some of Prior's poems, as Thackeray caustically remarks, smack not a little of the conversation of his Long Acre friends. Pope for awhile attended the symposium at Button's coffee-house, where Addison was the centre of the coterie—he describes himself as sitting with them till two in the morning over punch and Burgundy amid the fumes of tobacco—but such a way of life did not suit his sickly constitution, and he soon withdrew. It is not likely that he smoked.
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Cigarette and Tobacco Information:
From Chapter 4: "A custom lothsome to the eye, hatefull to the Nose, harmefull to the braine, dangerous to the lungs, and in the blacke stinking fume thereof, nearest resembling the horrible Stigian smoke of the pit that is bottomelesse."—James I, A Counterblaste to Tobacco. From Chapter 4: The social history of smoking from the point of view of fashion, during the period covered by this and the next two chapters may be summarized in a sentence. Through the middle of the seventeenth century smoking maintained its hold upon all classes of society, but in the later decades there are distinct signs that the habit was becoming less universal; and it seems pretty clear that by the time of Queen Anne, smoking, though still extensively practised in many classes of society, was to a considerable extent out of vogue among those most amenable to the dictates of Fashion.
From Chapter 8: The allusion in these verses to a "satiric wipe" refers to a passage in the poem entitled "Conversation," which Cowper had written in the previous year, 1781. In this passage tobacco is abused in terms which Cowper clearly felt to need modification after his personal intercourse with such a smoker as his friend Bull. In describing, in "Conversation," the manner in which a story is sometimes told, the poet says: The pipe, with solemn interposing puff, Makes half a sentence at a time enough; The dozing sages drop the drowsy strain, Then pause and puff—and speak, and pause again. Such often, like the tube they so admire, Important triflers! have more smoke than fire.
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Tobacco History:
Cigarettes and Literature
From Chapter 3: It is pretty clear that not a few of the druggists who sold tobacco were great rascals. Ben Jonson has let us into some of their secrets of adulteration—the treatment of the leaf with oil and the lees of sack, the increase of its weight by other artificial additions to its moisture, washing it in muscadel and grains, keeping it in greased leather and oiled rags buried in gravel under ground, and by like devices. Other writers speak of black spice, galanga, aqua vitæ, Spanish wine, aniseeds and other things as being used for purposes of adulteration.
From Chapter Chapter 8: He describes the box and its contents in lines which show not only tolerance but appreciation of tobacco, from which it is not unreasonable to infer that Cowper's first view of his friend's smoking-habit as a drawback—as shown in his letter to Unwin, quoted above—had been modified by neighbourhood and custom. It might have been well for the poet himself if he had learned to smoke a social pipe with his friend Bull. The appreciative lines run thus: This oval box well filled With best tobacco, finely milled, Beats all Anticyra's pretences To disengage the encumbered senses. O Nymph of transatlantic fame, Where'er thine haunt, whate'er thy name, Whether reposing on the side Of Oronoco's spacious tide, Or listening with delight not small To Niagara's distant fall, 'Tis thine to cherish and to feed The pungent nose-refreshing weed, Which, whether pulverized it gain A speedy passage to the brain, Or whether, touched with fire, it rise In circling eddies to the skies, Does thought more quicken and refine Than all the breath of all the Nine— Forgive the bard, if bard he be, Who once too wantonly made free, To touch with a satiric wipe That symbol of thy power, the pipe; * * * * * * * And so may smoke-inhaling Bull Be always filling, never full.
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